Friday, 19 November 2010

22nd - 26th November 2010 (Bad Girls Week 5)

herrroooo

15th - 19th November 2010 (Bad Girls Week 4)

  • Improvisation ~ a scene doesn't just start and finish when the script says. Imagine what is happening before the scene starts and after the scene finishes
  • Colour dialogue - don't just use inflection. Break down the lines and read the dynamics
  • Simple movement is key
  • Use effects of staging - power, hierarchy and focus etc.
  • Don't think - DO
  • Be in character BEFORE going on stage
  • Enrich, don't just read
  • Phrasing changes/creates meaning and pace

8th - 12th November 2010 (Bad Girls Week 3)

  • COMMIT TO MOVEMENT
  • Play with the action - make it feel over the top and change tactics until it fits
  • Don't play action before listening to other characters - don't pre-empt
  • Give in to what feels natural - keep action ORGANIC
  • Trust other characters and use each other in the action - interact, not exchange
  • Dialogue should support, not drive the scene. The gains and tactics should be what the audience reads even if the dialogue doesn't necessarily say it
  • GROUND YOURSELF
  • Don't do anything that isn't necessary. If it doesn't add to the scene, it's unnecessary
  • READ the lines - what do they mean?
  • UNLOCK THE RISK

Friday, 5 November 2010

1st - 5th November 2010 (Bad Girls Week 2)

Notes to Self

  • Think about the character and consider who they are for every gesture, inflection and delivery. Let character arrive organically.
  • Show the change in Crystal that occurs throughout the play. Explore the character and play - don't be afraid to get things wrong.
  • I Shouldn't Be Here - Stay grounded! Work on confidence and commit to the action.
Dance
  • I am picking up choreography so much quicker, however, I need to put more emphasis into each move.
  • Practice ballet technique to improve flexibility and fitness.
  • I feel a lot more confident with choreography, however, I still have very little confidence with ballet.