Friday, 19 November 2010
15th - 19th November 2010 (Bad Girls Week 4)
- Improvisation ~ a scene doesn't just start and finish when the script says. Imagine what is happening before the scene starts and after the scene finishes
- Colour dialogue - don't just use inflection. Break down the lines and read the dynamics
- Simple movement is key
- Use effects of staging - power, hierarchy and focus etc.
- Don't think - DO
- Be in character BEFORE going on stage
- Enrich, don't just read
- Phrasing changes/creates meaning and pace
8th - 12th November 2010 (Bad Girls Week 3)
- COMMIT TO MOVEMENT
- Play with the action - make it feel over the top and change tactics until it fits
- Don't play action before listening to other characters - don't pre-empt
- Give in to what feels natural - keep action ORGANIC
- Trust other characters and use each other in the action - interact, not exchange
- Dialogue should support, not drive the scene. The gains and tactics should be what the audience reads even if the dialogue doesn't necessarily say it
- GROUND YOURSELF
- Don't do anything that isn't necessary. If it doesn't add to the scene, it's unnecessary
- READ the lines - what do they mean?
- UNLOCK THE RISK
Friday, 5 November 2010
1st - 5th November 2010 (Bad Girls Week 2)
Notes to Self
- Think about the character and consider who they are for every gesture, inflection and delivery. Let character arrive organically.
- Show the change in Crystal that occurs throughout the play. Explore the character and play - don't be afraid to get things wrong.
- I Shouldn't Be Here - Stay grounded! Work on confidence and commit to the action.
- I am picking up choreography so much quicker, however, I need to put more emphasis into each move.
- Practice ballet technique to improve flexibility and fitness.
- I feel a lot more confident with choreography, however, I still have very little confidence with ballet.
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